August sees the heroes of the Red Circle
(a.k.a the Archie Comics heroes) hit the DC Universe in a series of four
one-shot specials, but in September, their ongoing adventures begin in
two series: The
Shield (with Inferno appearing in a co-feature) and The
Web (with The
Hangman appearing in a co-feature).
Here at Newsarama, we’re going to break down the four creative teams of
the Red Circle heroes, and today we’re starting with The
Web artist Roger
Robinson who provided artwork from his blog.
Newsarama: Roger, you've been a working cartoonist for a little
while now, working on everything from Azrael to X-Men and
everything in between. How did you originally break into comics?
Roger Robinson: My case is a little unique. I didn't get my
first gig like other artist, at a comic con or sending samples to the
submission department at DC or Marvel. I was very fortunate to meet
Steve Donnelly of Creative Interest Agency through an old friend of mine
that he represented in '93. He was impressed with my comic samples that
he wanted to represent me. He got me my first comic gig, 6 pages from Hardcase
#1 for Malibu Comics
and then my first whole issue, Hardcase
#4.
NRAMA: You started on The
Web one shot and are
staying on with the ongoing Webseries.
How did you get the job?

RR: The last few years, I was working in the game industry as a
concept and cinematic artist on the cancelled Flash game
and
SplatterHouse. There were massive layoffs at the video game company
that I worked for, so I called up Joey [Cavalieri, editor] to see if he
had any work. Since we worked together back in the Spider-Man
2099days, he welcomed me with open arms.
I penciled Brave
and the Bold #25 for
Joey, and he was very pleased with the issue that he offered me The
Web one-shot and
then The
Web ongoing series.
NRAMA: Had you been a fan of the Web prior to getting the
assignment?
RR: I remember reading The
Web when it came out
through DC Comics imprint Impact Comics and it was pretty good. J
Michael Straczynski is giving a really cool spin on the Web. I think the
readers are going to like it.
NRAMA: As you mentioned, Joey Cavalieri is your editor on the
series, what did he tell you he wanted from the series?
RR: Joey is very trusting on what I bring to the table so he
really didn't say anything. I know that Joey wants me to bring my strong
storytelling sensibility to the book.

NRAMA: J.G. Jones did the character designs for the Red Circle
Heroes. How much freedom do you have with the design on the Web in the
monthly comic?
RR: Joey is pretty flexible as long I keep the core look of the
character. There was a revised version of J.G. Jones design that was
done by the cover artist Jesus Saiz. So when I was doing character
studies, I reworked it more so part of the webbing of the costume worked
around his muscle structure so the design of his costume would have some
dimension to it. Joey seemed pretty happy with the modifications.
NRAMA: When talking
about the Web you
said "Instead of it looking like spandex, I gave his costume a carbon
fiber look." How do you do that, and how well do your inker and colorist
follow through with the carbon fiber look?
RR: Well, when I said "give his costume a carbon fiber look." I
was referring to the character study that I digitally painted and I was
thinking in terms if I designed the character for a video game or a
movies, how would the texturing of his costume would look like. Ever
since working in the video games, I approach character designs in terms
of design, texture, and functionality and how they work together now.

NRAMA: I have only seen a few pages so far, but does the Web
ever cover his eyes with the goggles or do they just hold his hair in
place?
RR: Yes, the Web's goggles are functional and he does use it
for night vision and infrared heat signature. You'll definitely see the
Web using his goggles in the one shot issue.
NRAMA: Finally, as someone who's probably best known to DC fans
for his Batman work, when approaching the Web visually, how does he
differ from other Batmanesque heroes?
RR: I'm still approaching the Web in a noir style but the
yellow of his costume will pop out the shadows. It will give the Web a
really cool graphic style to him. |